|View of the house from the back|
9 February 2017
We began the day in the Road Scholar way with a superb lecture by Dr. Carlos Alzugaray, one of those scholar/diplomats that represent, in one way and another, the best of any nation. This presentation resonated for me, given my background having taught American foreign policy for so many years. The presentation rather brilliantly combined a tour d’horizon with a constructivist theoretical approach.
Then we were off to the fine arts museum, a most interesting excursion. They do not, of course, allow phgotography inside the museum, which is unfortunate. The guide, a curator, gave us a historical tour of Cuban art. What struck me most was the degree to which protest art was hung, here on the walls of the official national museum. If the building looks vaguely familiar, it was built in the mid-1950s and patterned on Frank Lloyd Wright’s design for the Guggenheim Museum in New York.
|Our curator/guide, Jim, and José confer|
After the tour, lunch, and a stroll along the fabled Malecon
From there came the main event of the day, a visit to Ernest Hemingway’s farm Finca Vigia (Lookout Farm).
Hemingway spent the last twenty years of his life here with both his third wife, Martha Gellhorn, and his last wife, Mary. As with anything related to Papa, there are a multitude of stories connected to the house and as with Cuban-American relations there is a tangled story connected to the Cuban acquisition of the house. For years, apparently, the 1886 building and its contents, supposedly as Ernest and Mary left them in July 1960, were endangered by neglect.
|From the front, the view to the back|
|At the back, Hemingway's office|
|As in Key West, Hemingway wrote in a tower, behind and to the side of the house|
|The guard offered to shoot the inside of the tower office for me|
Also enshrined here is Hemingway’s fishing boat, Pilar, from which he launched a brief World War II effort to hunt German submarines operating in the Caribbean.